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In his 2009 book on Captain America comic books, war photography, and American propaganda, Everett claims: “There is nothing to suggest that either the graphic novels issued during the war or the photographs taken during Rogers’ stay with the Howling Commandos can serve as a basis for a queer reading of Rogers and Barnes’ relationship. But even more importantly, there is nothing to suggest that such a relationship ever existed in the first place, and as such, those queer readings are not only misguided, but also libelous” (197). [from: Lynn E. Anderson, Captain America: Behind the Mask. Steve Rogers and the Contemporary Hero Narrative (New York: Palgrave Macmillan, 2012), p. 242.] In the aftermath of Steve’s return to the world of the living and the battle of New York, the academia and the Internet react.!fic, site:archiveofourown, fandom:captainamerica, fandom:marvelcinematicuniverse, rating:teenandupaudiences, pairing:james.”bucky”.barnes/steve.rogers, ~author:idrilka, epic, trope:epistolary!fic, trope:outside!pov, epistolary!fic:multimedia, fandom_related:breaking-the-fourth-wall

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